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Inscape (visual art) : ウィキペディア英語版
Inscape (visual art)


Inscape, in visual art, is a term especially associated with certain works of Chilean artist Roberto Matta, but it is also used in other senses within the visual arts. Though the term ''inscape'' has been applied to stylistically diverse artworks, it usually conveys some notion of representing the artist's psyche as a kind of interior landscape. The word ''inscape'' can therefore be read as a kind of portmanteau, combining ''interior'' (or ''inward'') with ''landscape''.
==The psychological inscape: surrealist, abstract, and fantastic art==

According to Professor Claude Cernuschi, writing in a catalogue for a Matta exhibition at Boston College (see external link below), Matta's use of the term ''inscape'' for a series of landscape-like abstract or surrealist paintings reflects "the psychoanalytic view of the mind as a three-dimensional space: the 'inscape'." The 'inscape' concept is particularly apt for Matta's works of the late 1930s. As Dawn Ades (p. 233) writes, "A series of brilliant oil paintings done during the years of his () first association with the Surrealists explore visual metaphors for the mental landscape." And Valerie Fletcher, in ''Crosscurrents of Modernism'' (p. 241), writes that during this time Matta "created with startling mastery the paintings he called 'inscapes' or 'psychological morphologies.' " See also Miriam Basilio's essay, "Wifredo Lam's 'The Jungle' and Matta's 'Inscapes' ".
The term ''inscape'' was later taken up by the leading Australian surrealist James Gleeson, American abstract artists such as James Brooks, Jane Frank, and Mary Frank (no relation), and even a group of British fantasy artists founded by Brigid Marlin in 1961 and calling themselves the 'Inscape Group.' (The latter group may have had in mind another sense of the word 'inscape', associated with the British poet Gerard Manley Hopkins. See the article titled simply 'inscape' for more information on this.) More recently, in a 1998 review of a Mary Frank exhibition in New York (cited below), Carol Diehl writes, "Titled 'Inscapes', the paintings are landscapes of the soul...."
Also clearly referring to the psychoanalytical meaning of the word as described by Prof. Cernuschi and others above, the leading journal of art therapy was formerly called simply ''Inscape''. The journal is now called ''International journal of art therapy : Inscape.'' (This is not to be confused with the ''Inscape'' magazine produced by Brigid Marlin's Society for Art of Imagination.)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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